SEEKING
Band to Join, Vocalist, Vocalist - Baritone, Vocalist - Tenor, Vocalist - Soprano, Vocalist - Alto.ABOUT
Hello.
i'm looking to meet a female singer to collaborate with
i live in the north of England, but i am prepared to travel if there is a musical connection
my interest is in recording mainly, but i would be prepared to gig if i met someone who wanted to
recently ive been playing live (last 18months), for fun and experience, where i play acoustic 12-string and sing (just about) .. its really a treading water exercise..
i have an eclectic musical past, and guitar techniques that confuse some
i currently have an album worth of lyrics ready
this is my email: helloconradgaunt
music notes
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im acoustic focused right now, but here are examples of various recordings ive made through the years, in no particular order, those that i can find
- "caught like a rabbit in the headlights" is my second ever live performance. improvised, and scary
- "the wine glass" is a lineout recording of a single 12-string guitar to demonstrate harmonics
- "not yellow in the middle anymore" ..my first go with my portable zoom r24 recorder. 2x guitar+internal drum machine
- "a short trip across a room" ..my second go with my zoom r24. 2x guitar
- "test 2" .. experimental music, made by analysing and re-synthesizing audio cassette recording i made in the early 90's, then remixed using the principles of affine geometry..from 1999
- "waterfall love" ..live again at the musician pub, Leicester city acoustic club.. i can't sing, but have improved!
-"the woodpecker" ..live at bivouac, ilton 9th nov.2012. two toddlers strapped into a double buggy were forced to listen to this, still counts though
-"b shaboogie" ..my knee jerk reaction to working in night clubs too much. a tongue in cheek mimic of ministry of sound style bollocks.. but with better mixing of course..vacuous. please don't enjoy it
-"r types" .. experimental electronic. an angry sea in slow motion
- "shanty towns (part2)" ..sampled guitars and beat mixing. i had to write my own software to make this.. actually i didn't have to make it..but it was an experiment into something i call micro-sampling (samples of 40ms or less). there are no samples of human voices. its called shanty towns because of the voice you think you can hear saying "our house", "jump" and other human sounding noises.. i assure you its all guitar, chopped up finely and pseudo randomly sprinkled
-"r.i.y.e/ waterfall love (slower)" ..live at the musician pub, Leicester city acoustic club, 16th dec 2013
-"acoustic samples" ..an acoustic recording sample, recorded live in my lab (shed), without the horrible p.a system nonsense that live performance requires
-"rain in your eyes (phone recording)" .. a different version. i have no music set in stone for any of my lyrics
-"fool joy" .. just for fun
-"octojam 2" ..improvised playing in my shed
-"octo-jam 3" .. more playing in my shed, the octo-effect gives it a bit of enya
-"acousto-jam" ..live shed practice with guitar downtuned a lot
-"clock heart" ..another r24 test recording. 2x guitar
-"clock heart ii" .. as above
-"get ready" .. experimental
-"untitled (phantone)" ..experimental
-"rain drops" .. dry line- out recording of picking from my danelectro
-"danelectro, slapping and picking" ..another dry line out recording, no mastering
- Screen name:
- andy scone
- Member since:
- Jan 07 2014
- Active over 1 month ago
- Level of commitment:
- Very Committed
- Years playing music:
- 25
- Gigs played:
- 10 to 50
Influences
the sun and the moon
EQUIPMENT
1 x brain + 30w electricity + washburn 12-string acoustic guitar
{some stuff i don't really use much, but have just in case..)
several tape echo/ analog chorus / spring reverb machines
zoom hn4 (stereo recorder)
zoom r24 (24 track, 8 inputs)
danelectro 12- string (modified to have stereo line-outs)
some old analog rhythm machines
MUSIC
-
caught like a rabbit in the headlights (live)
caught like a rabbit in the headlights (live) Year: 2012
musician pub, city acoustic club open night, 17th july 2012 hosted by kevin hewick my second ever live performance.. 12-string acoustic improvised fear ..
-
accoustic samples (in a shed)
accoustic samples (in a shed) Year: 2013
an acoustic recording sample, without the horrible p.a system nonsense that live requires
-
waterfall love (live)
waterfall love (live) Year: 2012
live at the musician pub, Leicester city acoustic club, 28th October 2012 (r.i.p lou reed) more percussive 12-string acoustic. i can't sing really. that's why im on this site
-
rain in your eyes
rain in your eyes Year: 2013
recorded on a cheap android phone
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rain in your eyes (alt.version) / waterfall love (slower version) - live
rain in your eyes (alt.version) / waterfall love (slower version) - live Year: 2013
live at musician pub, Leicester city acoustic club, 16th dec.2013
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the woodpecker (live)
the woodpecker (live) Year: 2012
live at bivouac, ilton, 9th nov 2012 supporting a local band, playing mainly to a toddler in a dual pram, and his baby brother who kept winking at me no monitors, so playing blind
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test 2
test 2 Year: 1999 Genre: Other
something short, but different, to show my eclectic credentials.. somewhat experimental. the product of badly recorded guitar, recorded in the late 80s by myself (when i was a mere child) on audio cassettes live, that i then digitized in 1999, pitch analysed by various free softwares (mainly written by experimental russian coders), then re-mixed using the principles of affine geometry as a guiding philosophy, and then finally re-synthesized.. ha,
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the wine glass
the wine glass Year: 2013 Genre: Other
this is a short live 12-string electric guitar demo, with mild chorus the harmonics that jumped out reminded me of the way a wine glass sings if you stroke it just right , and catch its resonant frequency
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a short trip across a room
a short trip across a room Year: 2012 Genre: Other
some live improvisation from my lab (shed), with an additional guitar layered when i listen to it, i imagine im lost in a jungle, cutting claustrophobically through the thick undergrowth.. until breaking into a moonlit glade
-
not yellow in the middle anymore
not yellow in the middle anymore Year: 2012
i bought a zoom r24 for an easy way to portably plug and record my quadrophonic eclectric 12-string guitar realising it had an internal drum machine, i thought id try improvising over one of its preset beats with two guitars to see if i could play over a rigid beat .. im not convinced i can, or want to
-
r types
r types Year: 2000
experimental electronic. an angry sea in slow motion
-
shanty towns (part2)
shanty towns (part2) Year: 2000
sampled guitars and beat mixing. i had to write my own software to make this.. actually i didn't have to make it..
-
b shaboogie
b shaboogie Year: 1998
my knee jerk reaction to working in night clubs too much. a tongue in cheek mimic of ministry of sound style bollocks.. but with better mixing of course..vacuous. don't enjoy it!
-
fool joy
fool joy Year: 2013
just some light heartedness. two guitars and a drum machine
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Octo-Jam 2
Octo-Jam 2 Year: 2013
live 12-string electric guitar / shed rehearsal recording
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octo-jam 3
octo-jam 3 Year: 2013
octo-jam 3 , electric 12-string live shed jam, with octo-effect, which makes things more enya!
-
acousto-jam
acousto-jam Year: 2013
live acoustic guitar recording, down-tuned 2 semi-tones until the strings rattle
-
clock heart
clock heart Year: 2013
just tom-foolery with the r24 and its built in drum machine. two 12-string guitar embrace over the top
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clock heart II
clock heart II Year: 2013
just messing about again with the zoom r24 recorder
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get ready
get ready Year: 2000
experimental
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untitled (phantone)
untitled (phantone) Year: 2000
experimental using obfuscated production techniques
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rain drops
rain drops Year: 2011
danelectro 12-string, dry line out recording
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danelectro, live slapping and picking
danelectro, live slapping and picking Year: 2011
a dry line out recording, possibly recorded onto a phone or some other cheap but convenient device